Misery is a butterfly blonde redhead
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Dusted Reviews: Blonde Redhead - Misery is a Butterfly
Let us look at the Baroque signs that just bleed from Blonde Redhead's latest Misery is a Butterfly , after a long hiatus since 's Melody of Certain Damaged Lemons. First, the title, of rather Baroque foreboding -- uh, yeah, sure, misery is a butterfly. Makes sense to me. Does it make sense to you? OK, it makes no fucking sense at all beyond an impossible ambiguity that nonetheless portends some ominous gravitas.
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Blonde Redhead’s Masterpiece, Misery Is a Butterfly, Gets the String Quartet Treatment
Mike Katzif. Blonde Redhead embraces electronics and an ethereal mood on its latest album, Penny Sparkle. Pier Nicola D'Amico hide caption. If you were to hear Blonde Redhead 's records back to back, you'd hear an incremental but deliberate through-line in the band's musical progression. From its early days as a noisy "no wave" outfit to Misery Is a Butterfly 's baroque rock and the dream-pop of 23 , Blonde Redhead has continued to refine and rethink its sound in inventive ways.
The Italian necromantics return with a haunted house of an album, where the only cadavers are leaf skeletons, unbearably beautiful to look at, but more fragile than the wings of the 'Butterfly of Misery', that dissolves to the touch. Blonde Redhead started out pushing the post-punk blueprint with an emotional scope way beyond Fugazi whose Guy Picciotto returns to produce this album over their first efforts in which guitars were pushed to their very limits in a cathartic mourning of the death of the US underground. In an attempt to reach a higher plain, the group ditched the guitars to create the astounding, moog-fuelled 'Melody for Certain Undamaged Lemons', but have returned to them for this, their first album for 4AD, applying their experimental findings to traditional instruments, dealing with them affectionately, distilling them through contemporary sophtware and classic songwriting.
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