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Misery is a butterfly blonde redhead

Sign In Don't have an account? Start a Wiki. You must enable javascript to view this page. This is a requirement of our licensing agreement with music Gracenote. Dearest Jane I should've known better But I couldn't say hello, I didn't know why But now I think, I think you were sad Yes you were, you were, you were What I say, I say only to you 'Cause I love and I love only you Dearest Jane, I want to give you a dream That no one has given you Remember when we found misery We watched her, watched her spread her wings And slowly fly around our room And she asked for your gentle mind Misery is a butterfly Her heavy wings will warp your mind With her small ugly face And her long antenna And her black and pink heavy wings Remember when we found misery We watched her, watched her spread her wings And slowly fly around our room And she asked for your gentle mind. Nominate as Song of the Day.
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Dusted Reviews

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Dusted Reviews: Blonde Redhead - Misery is a Butterfly

Let us look at the Baroque signs that just bleed from Blonde Redhead's latest Misery is a Butterfly , after a long hiatus since 's Melody of Certain Damaged Lemons. First, the title, of rather Baroque foreboding -- uh, yeah, sure, misery is a butterfly. Makes sense to me. Does it make sense to you? OK, it makes no fucking sense at all beyond an impossible ambiguity that nonetheless portends some ominous gravitas.
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Blonde Redhead’s Masterpiece, Misery Is a Butterfly, Gets the String Quartet Treatment

Mike Katzif. Blonde Redhead embraces electronics and an ethereal mood on its latest album, Penny Sparkle. Pier Nicola D'Amico hide caption. If you were to hear Blonde Redhead 's records back to back, you'd hear an incremental but deliberate through-line in the band's musical progression. From its early days as a noisy "no wave" outfit to Misery Is a Butterfly 's baroque rock and the dream-pop of 23 , Blonde Redhead has continued to refine and rethink its sound in inventive ways.
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The Italian necromantics return with a haunted house of an album, where the only cadavers are leaf skeletons, unbearably beautiful to look at, but more fragile than the wings of the 'Butterfly of Misery', that dissolves to the touch. Blonde Redhead started out pushing the post-punk blueprint with an emotional scope way beyond Fugazi whose Guy Picciotto returns to produce this album over their first efforts in which guitars were pushed to their very limits in a cathartic mourning of the death of the US underground. In an attempt to reach a higher plain, the group ditched the guitars to create the astounding, moog-fuelled 'Melody for Certain Undamaged Lemons', but have returned to them for this, their first album for 4AD, applying their experimental findings to traditional instruments, dealing with them affectionately, distilling them through contemporary sophtware and classic songwriting.
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